Raga Jogiya

 

Jogiya, or Jogia, is a raga in Hindustani classical music. It is based on Bhairav Thaat. It is played at the First Prahar of the day, dawn time (Brahma Muhurt). The name Jogiya came from Jogi, a corruption of yogi. One can appreciate the characteristic mood of devotion and detachment created by this raga.

Madhyam is powerful, a nyas Swar as well as a Vadi Swar. Jogiya has Rishabh and Dhaivat Komal like raga Bhairav, however they are not oscillated here. In Avroh, Shuddha Nishad is Alap and is always used as a Kan Swar of Komal Dhaivat like: S' (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: m P d (n)d m ; m r S to enhance the beauty of this raga. R-m and d-m are rendered in Meend.

This raga is expandable in Madhya and Tar Saptaks. This raga creates a heavy atmosphere, however it is suitable for Thumri, Bhajans and Dadra etc.

1) Dil Ek Mandir Hai Film - Dil Ek Mandir Hai

2) Kah do koi na kare yahan pyar - Goonj UthiS hehnai

3. Raatbhar ka hai mehmaan andhera - Sone Ki Chidiya

4) Aaye Na Balam - Swami

5) Dua Kare Gham-e-Dil - Anarkali

6) Tum Mori Rakho Laaj Hari -Dekh Kabira Roya

7) Pia Bin Soona Re - Hum Dard

8) Lakshmi Soorat Daras - Muqti

9) Uth To Chale Avdhoot - Jogan

10) Mera Dard Na Jaaane Koi - Jogan

11) O Ganga Maiyya - Chandan Ka Palna

12) Aaye Na Balam Vaada - Shabab

13) He Natraja Gangadhar Shambho Bolenath - Sangeet Samrat Tansen

14) Raat Bhar Ka Hai Maheman Andhera - Sone Ki Chidiya

15) Nakore Jau Ramaraya - Geet Ramayan

16) Vad Jau Kunala Sharan - Sangeet Saubhadra

17) Kruti Ashi Bhishana - Marathi song

18) Tirtha Vitthal Kshetra Vitthal - Marathi song

19) Parakyache Dhan Kanya - Marathi song

20) Majhya Maniche Hitguj Saare - Marathi song

21) Pail Toge Kau Koktahe - Marathi song

22) Bheti Laage Jiva - Marathi song

For more details please click on link below

https://meetkalakar.com/Artipedia/raga-jogiya

You tube link :-

https://www.youtube.com/watch?v=BQfBi7C271g&t=1s

Raga Kafi

Raga Kafi  is a raga in Hindustani classical music. It corresponds to Kharaharapriya in Carnatic music. This is also referred to as the Bhairavi of night. Both Shuddha Nishad & Gandhar are occasionally used. 

Kafi has a direct lineage with the folk music of India. Folk music in Tappa, Hori, Dadra, Kirtan and Bhajans from different parts of India have been composed in this raga. The atmosphere created is most suitable for both types of Shringar (Separation & Union) and hence many Thumri & Hori compositions are sung in this Raga.

Many variations of Kafi exist. Contamination with vivadi swaras is common. This mixing has given rise to Mishra Kafi. The raga is performed during any season.

Vishnu Narayan Bhatkhande classified most ragas into ten Thaats. Kafi Thaat is one of them. The raga Kafi is the principal raga of its Thaat. According to Bhatkhande, its name first appears in the Raga Tarangini of Lochana Pandit, who lived in the Mithila district around the 15th century CE.

Kafi is a sampoorna-sampoorna or heptatonic raga. The atmosphere created is most suitable for both types of Shringar (Separation & Union) and hence many Thumri & Hori compositions are sung in this Raga.

Various ragas, such as Bhimpalasi, Bageshree, Kafi Kanada, Bahar, and Brindabani Sarang are associated with this raga. Important tributaries of this raga include Sindhura, Barwa, Neelambari and Pilu.

Film songs in Raga Kafi

1) Kaali Ghodi Dwar Khadi

2)  Dheere dheere bol koi sun na le

3) Kaise Kahun Man Ki Baat

4) Biraj Men Holi Khelat Nand Lal

5) Bairana Neend Na Aye

6) Chupke chupke rat din - ghazal

7)  Dil me ho tum sanso me tum

8) Kasme wade pyar wafa 

9) Lat ulaji sulja re balam

10) Aa ab laut chale

For more details click on link below

https://meetkalakar.com/Artipedia/Kafi

You tube link - 

https://www.youtube.com/watch?v=ERdxZsd79Bc

Raga Bilawal

 Bilaval had become the basic scale for North Indian music by the early part of the 19th century. Its tonal relationships are comparable to the Western music C major scale. Bilaval appears in the Ragamala as a ragini of Bhairav, but today it is the head of the Bilaval thaat. The Ragamala names Bilaval as a Putra (son) of Bhairav, but no relation between these two ragas are made today. Bilaval is a morning raga to be sung with a feeling of deep devotion and repose, often performed during the hot months.

Rag Bilawal is the most basic rag in Bilawal thaat.  Indeed, the name of the that is derived from this rag.  Interestingly enough, this rag has been declining in popularity over the years. Bilaval or Bilawal  is a raga and the basis for the eponymous thaat (musical mode) in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat. This rag is sometimes referred to as Shuddha Bilawal to distinguish it from the more popular Alhiya Bilawal.

Bilaval is one of the raags that is in the Sikh tradition from northern India, and is part of the Sikh holy scripture (Granth), the Sri Guru Granth Sahib.

Bilawal is considerd by most to be Sampurna - Sampurna.  However, some are of the opinion that it should be considered Shadav - Sampurna due to the weakness of its Ga in the arohana.

Hindi songs in Raga Bilawal

1) Chukar mere manko

2) Achutam Keshvam

3) Om Jai jagdish hare

4) Ichak Dana Beechak Dana

5) Meri Laadli Ri

6) Chain Se Humko Kabhi

7) Shokh Nazar Ki

8) Gham Ki Dawa To

9) Kya Hua Kya Hua

10) Ae Dil Machal Machal

11) Thehro Zara Si Der

12) Gham Ki Andheri Raat

13) Har Aas Ashq Baar Hai

14) Jao Re Jogi Tum

15 )Suno Sajna Papihon Ne

16) Wo To Chale Gaye

17) Pehle Na Samjha

Marathi songs in Raga Bilawal

1) Din gele bhajanavin sare ( Marathi) 

2) Wawaka var bara gaur ( Marathi) 

For more details click on link below

https://meetkalakar.com/Artipedia/Bilaval

YouTube link 

Raga Bhimpalasi

Bhimpalas or Bheempalasi or Bhimpalasi is a Hindustani classical raga.

Raga Bhimpalasi is belongs to the Kafi Thaat.

Among day Ragas, Bheempalasi is a very sweet and hauntingly pleasant melody. The initial development via Alaap is done very artistically to produce the Raag mood which is then thrown into waves with Taans. The rendering of Komal Nishad needs practice with these combinations: g m P n S' n S' n S' . Rendering this way will give the required higher shruti to Komal Nishad.

This is a Poorvang Pradhan Raag. It is expanded freely in all the three Octaves. 

This Raag is similar to Raag Aabheri in Carnatic Music. Raag Dhanashree is similarly to Raag Bheempalasi, but Dhanashree has Pancham as a Vadi Swar whereas Raag Bheempalasi has Madhyam as a Vadi Swar.

YouTube link https://www.youtube.com/watch?v=iqE24egOKrk&t=1s

Film songs in Raga Bhimpalasi

1) Nainon Men Badra Chhaye

2) Samay O Dhire Chalo

3) Tere Sadke Balama

4) Tu Hai Phool Mere Gulshan Ka

5) Tum Mile Dil Khile

6) A Neele Gagan Tale Pyar. 

7) A Ajnabi Tu Bhii Kabhi Aawaz De Kahiin Se. 

8) Dil Ke Tukade Tukkade

9) Dil Mein Tujhe Bithake

10) Bina Madhur Madhur Kachhu Bol.

11) Aaj Mere Man Sakhi Bansuri Bajaye Koi.

12) Kismat Se Tum Ham Ko Mile Ho

13) Man Mor Hua Matavala

14)  Masoom Chehra

15) O Nirdai Pritam

16) Maine Chand Aur Sitaron Ki

17) Ai ri main to prem diwani mera dard na jaane koi  Film: Navbahar

18) Main gareebon ka dil hoon watan ki zubaan  Film: Ab-e-hayat

19) Ye na thi hamari kismat ki visaal-e-yaar hota  Film: Mirza Ghalib

20) Zindagi mein to sabhi pyaar kiya karate hain (Geet)

21)  Aa Neele Gagan 

22) Eli Re Eli Film:  Yaadein 

23) Ae Ajnabi Tu Bhii Kabhi Aawaz De Kahiin Se Film : Dil Se

24) Duniya Se Ji Ghabra Gaya Film:  Lailaa Manju

25) Eri Main To Premdivani 

26) Hai Chaand Sitaaron Men Chamak Tere Badan Ki

27) Jhanakar Payala Ki Tose Binati Kare 

28) Kehta Hai Mera Yeh Dil 

29) Khanabadosh 

30) Khilate Hain Gul Yahan Film : Sharmilee 

31) Kuch Dil Ne Kaha 

32) Man Mor Hua Matavala 

33) Yeh Aaine Se Akele Men Guftagu Kya Hai 

34) Zindagi Men To Sabhi Pyar Kiya Karte Hai 

35) Mere Man Ka Bavara Panchhi Film :| Amardeep

36) Naghma-O-Sher Ki Saughaat 

37) Nainon Men Badra Chhaye Film: Mera Saaya 

38) O Beqarar Dil 

39) Tumhi Ne Mujhko Prem Sikhya 

40) Mera Pyar Woh Hain -Film - Yeh Raat Phir Na Aayegi Songs

41) Chalo ek bar phirse - -Film - Gumrah

42) Dil Tera Deewana - Film - Ye Masoom Chehra

43) Le to aye ho hame sapno ki gaon me - Dulhan wahi jo piya man bhaye

44) Jabse balam ghar aye 

45) Khoya khoya chand 

46) Aaj purani rahon se 

47) Hawaon pe likh do hawaon ke nam 

48) Radha kaise na jale

49) Tu cheez badi hai masta masta

For more details of Raga Bhimpalas please click on link below 

https://meetkalakar.com/Artipedia/Bhimpalasi